مجید حیدری

آرشیو دسته بندی: English

Paper Presented in 18th International Conference of Aesthetics in China, 2010

    Persian Painting as a “Narrative Construction of Reality” Persian miniatures are very well-known in western countries. Any expert can easily detect Persian miniatures from any collection of paintings. Despite of this unique outstanding general characteristic, it seems very difficult to find the specific rules for interpretation and understanding Persian miniatures. This paper intends […]

Lesson Plan for Research Methods / BA students

Lesson Plan for Research Methods / BA students Objectives Meaning of research and action research Sources and reliability Paraphrasing and article formats Research design and questions Literature review and ways of searching Referencing and plagiarism Data collection and analysis Writing and editing Homework Assignment 2 quizzes Active participation in group activates Writing assignment every session […]

Majid Heidari

Majid Heidari(1980) is assistant professor at Ferdows Institute of Higher Education, Mashhad, Iran. He is the Head of Visual Communication Department and Director of Postgraduate Department. He has PhD in Philosophy of Art and writes on Aesthetics with focus on Islamic art. As a researcher he has several papers on Iran’s Aesthetics, the Tension between […]

Resume

Profile Majid Heidari, Assistant Professor, Member of Faculty & Head of Visual Communication Department, Ferdows Institute of Higher Education Email:mjdheidary@gmail.com Website:www.majidheidari.com Tel: +98-915-505-9536 Address: No. 52, Hashemieh 65, Mashhad, Iran Summary   Focused on Comparative Aesthetics, hermeneutics, phenomenology, and pragmatism Well-experienced teacher with command of varied teaching methods, encouraging critical thinking and problem solving   […]

Neutral Artworks to Democratic Values; The Case of Iranian Calligram

Abstract Some artworks may promote social and democratic values while others promote non-democratic tenets. Besides, there are a great number of artworks that remain silent and neutral to any social and democratic principles. The literature on the relationship between democracy and art is mostly about the possible contribution of arts to democratic values, ignoring the […]

Beauty as an Interesting Object

 Beauty as “Interesting Objects” Summary The fact that we have beauty and sublime together in the Third Judgment of Kant signifies the purposiveness and greatness of the beautiful. Postmodern art plays with purposivness in a way that it loses the companionship of the “sublime”. Also, postmodern lifestyle passes the paradox of subjectivity/objectivity and “objectifies” the […]

Summary of Kant's Categories in "The Critique of Pure Reason"

Table of judgment 1. Quantity کمیت I. Universal کلی هر الف ب است II. Particular جزئی بعضی الف ها ب هستند III. Singular شخصی این الف ب است 2. Quality کیفیت I. Affirmative ایجابی الف ب است II. Negative سلبی الف ب نیست III. Infinite عدولی الف نا ب است 3. Relation نسبت I. Categorical […]

Summary of Kant's "Critique of Judgment"

Faculty of judgment : thinking the particular under the universal Subsumes particulars under concepts or universals Determining: Reflecting: Finding the universal for the given particular Nature Faculty Determining Beauty Of …roles… Aesthetic Art Judgment Reflecting Sublime Teleological First Moment Judgment Of ….based…. feeling pleasure disinterested ( not have ) Beauty Cognitive judgment …. based…. perception […]